“New Year’s Eve” is the second in a remarkably shallow series of holiday-themed, celebrity-stuffed confections from director Garry Marshall and screenwriter Katherine Fugate, following their 2010 “Valentine’s Day” collaboration. Many of the elements are the same as they were for “Valentine’s Day,” just moved back on the calendar a few weeks, with the script again weaving together a dozen or so plot lines that crisscross a holiday prone to sentimentalizing.

If there is some kind of world record for schmaltz, this may have set it. Included here are first kisses, midnight rendezvous, dying fathers, newborn babies, husbands at war and trapped strangers.