A September 1989, feature in New York magazine by Edwin Diamond, titled “Trump vs. Stern: The Unmaking of a Documentary” closed with this line:
“A close associate of Stern’s says, ‘Trump may be tough, but so is Leonard. He’s living a good life now, and he doesn’t need this. But somewhere down the road, he’ll be heard from.”
Two and a half decades later, Leonard Stern, a real estate competitor of Trump’s, has a late-blooming investment that is finally airing, even though he hasn’t had anything to do with the project since the Reagan administration. This, thanks to a producer he once employed named Libby Handros.
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