Fighting for happiness in Little Italy

By Barbara Mackay
Published February 4, 2013 5:00am ET
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Fighting for happiness in Little Italy
Sometimes the most far-fetched situations make for the best drama. Think of Cyrano de Bergerac pretending to be someone he’s not. Think of any of Shakespeare’s comedies in which the plot can’t move ahead without someone being in disguise. John Patrick Shanley’s “Italian American Reconciliation,” at 1st Stage, starts out as this kind of play, […]

Sometimes the most far-fetched situations make for the best drama. Think of Cyrano de Bergerac pretending to be someone he’s not. Think of any of Shakespeare’s comedies in which the plot can’t move ahead without someone being in disguise.

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