“What’s it about?” a no-nonsense undergraduate once inquired of the author of The Adventures of Augie March. “It’s about 200 pages too long,” Saul Bellow replied. This anecdote came rushing back to me as I scanned the numerous obituaries and literary remembrances of David Foster Wallace, who hanged himself this fall at the age of 46. His most celebrated work was Infinite Jest and, like Augie, it was a depth charge that went off to either ecstatic or uneasy reviews. James Wood’s career-making essay on “hysterical realism” may have been primarily addressed to Zadie Smith’s White Teeth, but there was no question as to who occupied the largest padded cell of the genre. It was all in Jest: the punning allusiveness of character names (Hal O. Incandenza), the fetish for the superfluous detail (never such fugue states over the clipping of toenails), the unregulated style of narration (try Danubes of consciousness). Broadly, the novel was about addiction–be it to sports, drugs, or lethal entertainment–and at 1,079 pages, with a hundred or so given over to footnotes and footnotes within footnotes, it demanded the addict’s devotion. Also two bookmarks: something Joyce never asked of his readers, and Nabokov did only once (Pale Fire), well after his stature had been secured. Infinite Jest was Wallace’s second novel. Just who the hell did he think he was?
A genius, as it turns out–and he was right. That he never quite fulfilled his potential is the guilty subtext of much of the current eulogizing, though that non-fulfillment can now be blamed on the unbearable lifelong depression he seems to have battled. A trained mathematician and philosopher, Wallace seemed to assimilate all branches of knowledge into his stories, which often read like abstract logic equations, or experiments in behavioral science. I discovered after his death that he very nearly came to write a book on Godel’s incompleteness theorem (he was assigned Cantor’s infinity instead), an uncanny near-miss for the publishing industry because, like the mad Austrian who was Einstein’s favorite walking partner at Princeton, Wallace incarnated laughter of the mind, that Alice-in-Wonderland-like exuberance for where self-collapsing thoughts and paradoxes and involutions (a favorite term of his) can take you. DFW, as his fans were wont to call him, frequently had his cake and popped out of it, too.
