The New Republic’s Deplorable Partisan Reaction to Obama’s Che Guevara Photo Op

President Obama is on his historic trip to Cuba right now, though it’s proving historic in ways that Obama didn’t intend. Right before the president arrived, Cuban authorities took the liberty of arresting dozens of human rights protesters right before he arrived. Otherwise, being forced to confront the victims of the Communist regime might make things discomfiting for the president.

In any event, Obama seems content to remain oblivious. I’d particularly like to congratulate him on his photo op in front of a giant monument to Che Guevara, a mass murderer who has performed the neat trick of getting leftists worldwide to venerate him as some sort of idealistic free spirit. A lot of people are outraged by Obama’s photo, but thankfully we have the rotting husk of The New Republic to tell us the lame duck is really a brave honey badger, to be applauded for legitimizing communist Cuba’s murderous history. Or something:

Here is a picture of the president of the United States in front of a massive monument to Che Guevara, aka the right wing’s giddiest nightmare brought to life. It is especially eerie given Barack Obama’s own attempts to become the Che Guevara t-shirt of presidents. He is probably wearing such a t-shirt underneath his dress shirt, with his all-time favorite Che slogan—I know you are here to kill me. Shoot, coward, you are only going to kill a man—inscribed across his heart.

Speaking of nightmares, upon reading that stupid squib, all I could think about was this letter from 2005 by the Cuban Jazz musician Paquito D’Rivera to the guitarist Santana, who did the soundtrack to the movie The Motorcycle Diaries.

Hola, Santana: I found out, through our friend Raul Artiles, that you’ll be performing in Miami soon; I find this rather ill-advised, since not too long ago you committed the faux-pas of appearing at the “Oscar Awards” ceremony, brandishing, with pride, an enormous crucifix over a tee-shirt with that archaic and stereotyped image of “The Butcher of the Cabaña,” the moniker given to the lamentable character known as Ché Guevara by those Cubans who had to suffer his tortures and humiliations in that nefarious prison. One of these Cubans was my cousin Bebo, imprisoned there just for being a Christian. He recounts to me on occasion, always with infinite bitterness, how he could hear, from his cell, in the early hours of dawn, the executions without prior trials or process of law, of the many who died shouting, “Long Live Christ The King!” The guerrilla guy with the beret with the star is something more than that ridiculous film about a motorcycle, my illustrious colleague, and to juxtapose Christ with Ché Guevara is like entering a synagogue with a swastika hanging from your neck; it’s also a harsh blow in the face of that Cuban youth from the 60’s, who had to go into hiding to listen to your albums which the Revolution, and the troglodyte Argentinian and his cohorts, dubbed as “imperialist music” (i.e. Rock & Roll) I can’t find all the words to express my indignation over your irresponsible attitude, but believe me that in spite of all, as an artist I always wish you luck. And you’re going to need it, Carlos. Especially in Miami! Sincerely, Paquito D’Rivera

That letter was originally published in El Nuevo Herald, but I became aware of it because one of the first places it was translated into English and published was the New Republic.

Now, the New Republic was a publication that I found disagreeable much, if not most, of the time. But it once had a sense of integrity and was well-intentioned. Having been bought and sold repeatedly in the last few years, forever making desperate and pathetic bids to be relevant to America’s angry and increasingly radical left, the new New Republic seems a bit too invested not in creating a better America, but in creating a callow place that has no sense of history.

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