If you go
‘Show Boat’
Where: Signature Theatre, 4200 Campbell Ave., Arlington
When: Through Jan. 17, 2010
Info: $52 to $76; 703-573-7328; signature-theatre.org
From the moment the ensemble enters slowly to begin Signature Theatre’s “Show Boat,” it’s clear this is a novel production. As six field workers sing, methodically bending to pick cotton, they establish the atmosphere of Mississippi in 1887, both near the wharf and far from it, where class and race determine whether life will be pleasant or unbearably harsh. Director Eric Schaeffer has adroitly woven together three performing editions of the musical to come up with a version that does more than justice to Jerome Kern’s and Oscar Hammerstein’s original. Though it’s performed in a small space, this seems to be an expanded version of “Show Boat,” in large part because of Jonathan Tunick’s new orchestrations and innovative choreography by Karma Camp.
Schaeffer has, for instance, restored the moving song “Mis’ry’s Comin’ Round,” cut from many performances. At Signature, it’s impossible to imagine the scene, full of foreboding and sadness, without this lament sung by Queenie (the impressive Delores King Williams).
Many outstanding individuals comprise Signature’s ensemble. VaShawn McIlwain is the powerful commentator on the all-important Mississippi, with his moving rendition of “Ol’ Man River.” In the role of the tragic Julie, Terry Burrell delivers magnificent renditions of “Bill” and “Can’t Help Lovin’ Dat Man.”
Stephanie Waters vividly portrays the complex role of Magnolia, making credible her love for the dashing gambler Gaylord Ravenal, her devastation when he abandons her and her ultimate forgiveness of him. Will Gartshore gives a textured performance as Ravenal, offering a subtle portrayal as an apparently trustworthy, feeling man who truly loves Magnolia.
Sandy Bainum colorfully portrays the actress Ellie. Bobby Smith lends energy and feeling to the production as Ellie’s husband.
It would be easy for Signature to rely on gorgeous voices and Kathleen Geldard’s lush costumes to make its “Show Boat” sound and look great. But the production offers more: emotionally charged acting, reflecting an America that altered significantly from 1887 to 1927. With its emphasis on the river as a metaphor for change, this “Show Boat” feels contemporary and meaningful, a musical that speaks to 2009 as it reflects on three generations’ capacity for growth in the 19th and 20th centuries.
