If you’ve already checked into the “Hotel Rwanda,” then you may not want to check out “Beyond the Gates.”
The latest segment of the story of the 1994 genocide of the Tutsis in Rwanda, just now being released theatrically after premiering at 2005’s Toronto Film Festival (originally titled “Shooting Dogs”), is no less valuable than Don Cheadle’s preceding version for memorializing the martyrs of a hideous tragedy — one allowed at least in part by international ignorance and indifference.
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