Vibe tweak: Review of ‘After the Hunt’

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Luca Guadagnino’s new MeToo-era drama After the Hunt begins with a credit sequence that meticulously recreates those that have adorned Woody Allen’s movies for the past 50 years: the names appear in a slender Windsor typeface on black. Guadagnino goes so far as to list the cast in alphabetical order, as is Allen’s wont, along with the very Allen-like use of a jazz standard, “A Child Is Born,” performed by Tony Bennett and Bill Evans.

This seems unlikely to be anything as simple as an homage to Allen.

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