Say what you will about America’s cultural Left when it comes to fighting the culture war, they are relentless. Despite dropping ticket sales and ratings, they will continue to push liberalism in movies and on TV. They will still publish left-wing books that never earn back their advances. Nobody watches or trusts their news programs. Yet still, they push ahead.
Vogue magazine has just reported a new play being mounted in New York City. Starting January 7, actresses Elizabeth Marvel and Amber Iman will perform The Ford/Hill Project at La MaMa in New York. The live show, Vogue informs us, “weaves together direct transcripts from both Supreme Court Justices Clarence Thomas’s and Brett Kavanaugh’s hearings, placing them in dramatic dialogue.”
Elizabeth Marvel remembers the Kavanaugh hearings: “I was in high school,” Elizabeth Marvel tells me. “No — maybe I was at Juilliard then. But I was glued to it. I watched the entirety of it on C-SPAN. It really spurred my feminism into action. Theoretically, I had always believed myself to be a feminist, but it was the first time that it motivated action on my part.”
I was a central part of the Kavanaugh circus, and 2026 was the year I was going to let it all go. In 2018, Christine Blasey Ford accused Kavanaugh, a nominee for the Supreme Court and a high school friend of mine from Georgetown Prep, of sexual assault. Ford claimed I was in the room when the alleged incident occurred in 1982. I’ve written several articles about it, and a book, The Devil’s Triangle. I’ve been the subject of a documentary on Fox Nation, Judge and the Justice. I even managed to get a New York Times reporter to apologize to me and say he “had learned lessons” and “would do things differently if given a second chance.” My own publisher is telling me it’s time to move on, as are my friends.
I agree. Yet, no sooner than 2026 arrives than the news comes that a New York theatre troupe is bringing it up again. I am reminded again of how good the Left is at owning the culture. While the screenplay I wrote based on my book, The Devil’s Triangle, gets no takers, the Left is busy destroying my reputation, once again. While conservatives keep telling me to get over Blasey Ford, the Left was busy creating art that will affect the national narrative for years.
Christine Blasey Ford alleged that in 1982, while in high school, a teenage Brett Kavanaugh sexually assaulted her while I stopped by and watched, alternately cajoling him on and telling him to stop. This alleged incident opens the play. This is how the Washington Post described the rehearsal of The Ford/Hill Project: “Her voice sounded tight, anxious, tinged with pain.”
“I was, you know, underneath one of them while the two laughed,” the actress Elizabeth Marvel recited. “Two friends having a really good time with one another.”
Ford claims I was one of those two boys. So now, having made my case and wanting to move on with my life, Elizabeth Marvel is slandering me on a stage in New York. According to reporter Peter Marks, the Washington Post asked for comment from the people being depicted in the play: “a representative for Hill declined to comment; representatives for Ford, Thomas and Kavanugh [sic] did not respond to requests for comment as of publication time.”
THE INFORMATION STATE IS THE MOST IMPORTANT BOOK OF 2026
The Post never contacted me. But then, the Washington Post has never responded to any of my arguments. In 2022, my book about the ordeal, The Devil’s Triangle: Mark Judge vs the New America Stasi, was published. I was interviewed by Martha MacCallum on Fox News and am the main protagonist in the documentary, Judge and the Justice, on Fox Nation. Kathleen Parker, the Pulitzer Prize winner at the Washington Post, wrote a column defending me. I reviewed Blasey Ford’s own book. I have called out “legendary” Post editor Marty Baron, all of whom have written about me by name. They will not face me.
Look, as I said, I get it. It’s time to move on. 2018 was now eight years ago. Unfortunately, the Left just never gives up. It’s been my experience that the Right just doesn’t have their same tenacity.
