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Magazine - Life & Arts

Mike Vrabel’s non-confession confession

W. James Antle III - April 24, 2026 6:03 am

Elle Fanning is sharp and affectionate in ‘Margo’s Got Money Troubles’

Steven Soderbergh’s ‘The Christophers’ proves why people fall sleep watching Bob Ross reruns

The sincerity of substance in Netflix’s ‘Love on the Spectrum’

Mark Prell’s ‘What are the Odds?’ illustrates the pitfalls of assuming certainty

‘Black Mirror’ lives in our bleak future

Jack Baruth - May 2, 2025 12:35 am

Stairway to hell

Trent Reedy - May 2, 2025 12:35 am

The real Edward Gorey

Alan Levinovitz - May 2, 2025 12:20 am

By Georgia: Review of ‘Origins of the Georgia Coast: Retracing the Rich History of the Georgia Lowcountry’ by William PA Hunt

Peter Tonguette - May 2, 2025 12:05 am

Ryan Coogler at the crossroads

Joe Joyce - May 1, 2025 11:50 pm

Of rashes and regulatory burdens

Rob Long - May 1, 2025 11:37 pm

On essayist Meghan Daum’s sadly remarkable nonderangement

Alex Perez - April 25, 2025 4:50 am

David Zweig proves the fog of war is no excuse for the damage done to children’s education in the name of public health

Jesse Adams - April 25, 2025 4:35 am

How Hollywood fell apart in the 30 years since ‘While You Were Sleeping’

Graham Hillard - April 24, 2025 11:35 pm

Algorithmic friendship

Rob Long - April 24, 2025 11:20 pm

Review of ‘Wolf Hall: The Mirror and the Light’

Hugo Gurdon - April 24, 2025 11:20 pm

In an artistic manor: Review of the reopened Frick

Anthony Paletta - April 24, 2025 11:15 pm

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