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Magazine - Life & Arts

Netflix’s 4-part ‘Lord of the Flies’ is a savage, surreal survival tale

Graham Hillard - May 15, 2026 6:28 am

Counting sheep is better than watching ‘The Sheep Detectives’

Academia and the media against older Americans

Artan R. Hoxha’s biography ‘Enver Hoxha’ is a plodding portrait of a Marxist tyrant

Elizabeth Strout’s novel ‘The Things We Never Say’ offers a hand in the dark

Traffic: Genius, Rivalry, and Delusion in the Billion-Dollar Race To Go Viral by Ben Smith reviewed

Derek Robertson - May 12, 2023 10:10 am

How Finnish action film Sisu sums up our golden movie moment

Nicholas Clairmont - May 12, 2023 7:00 am

Bob Odenkirk plays it down the middle in the TV series Lucky Hank

Daniel Ross Goodman - May 12, 2023 5:45 am

A burning dissent from overbearing environmental policy in the kitchen

Eric Felten - May 12, 2023 5:40 am

The sordid history of ‘earned media’ advertising

Rob Long - May 12, 2023 4:02 am

Review of The Age of Palmer: Pro Golf in the 1960s, Its Greatest Era by Patrick Hand

Michael Taube - May 12, 2023 2:19 am

Pirate Enlightenment, or the Real Libertalia by David Graeber reviewed

Michael M. Rosen - May 12, 2023 2:10 am

The ‘Blurred Lines’ moral panic, 10 years later

Washington Examiner - May 12, 2023 2:05 am

Hags by Victoria Smith reviewed

Katherine Dee - May 12, 2023 2:00 am

Assessing Mary Harrington’s ‘reactionary feminism’

Avi Woolf - May 5, 2023 7:15 am

Madagascar’s superstitions in American eyes

Rob Long - May 5, 2023 6:15 am

Keri Russell saves The Diplomat from itself

Graham Hillard - May 5, 2023 5:15 am

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