Professional libs have begun bolting from the health-care reservation, but what about the cultural leftists who joined onto the Obama bandwagon first, and Obama’s policy agenda second? During the campaign, one of Obama’s most prolific artist-supporters was Ray Noland, aka CRO. Of the many bits of Obama propaganda CRO churned out, this one was one of the most interesting, because, in contrast to most of the Obama iconography, it actually portrayed a policy preference:
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