In yet another unique pairing of performance pieces, the Baltimore Symphony Orchestra’s Thursday offering at Strathmore opens with an infrequently heard, delicate violin concerto in two movements; Arvo Part’s “Tabula Rasa” and the ultimate choral masterwork of Mozart’s brief but exceptionally brilliant life — his “Requiem.”
“Both pieces have a religious feel to them,” said BSO violinist and Associate Concertmaster Madeline Adkins, who, along with violinist Qing Li, delivers Part’s minimalistic piece to perfection. “There’s a sort of secret, larger-than-itself mission to both, [and] it’s going to be very interesting for the audience to hear the two pieces together.”
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