The Atlantic: Finally, national-security storytelling that’s not propaganda

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There’s a moment in Captain Phillips, Paul Greengrass’s excruciatingly tense tale of the 2009 capture of an American ship captain by Somalian pirate, where the audience gets a rare chance to laugh. It’s probably not meant to come off this way, but after 90-ish minutes of nightmarish, shaky-cam time spent with Tom Hanks’s schlubby title character and his harried, emaciated captors, the appearance of square-jawed, capital-H Handsome Navy Seals onscreen sent at least a few of the people in my theater into titters.

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