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Magazine - Life & Arts

Review of ‘Buckley: The Life and the Revolution That Changed America’ and ‘The Man Who Invented Conservatism: The Unlikely Life of Frank S. Meyer’

W. James Antle III - August 15, 2025 4:30 am

Misery loves comedy: Review of ‘Oh, Hi’

A war correspondent’s satire: Review of ‘Vulture’ by Phoebe Greenwood

Back to school

Why bringing back the Presidential Fitness Test is exactly what America needs, even if you hated it

The return of the ‘King of the Hill’

Derek Robertson - August 14, 2025 11:30 pm

Specialist Grundle and the insatiable appetite

Trent Reedy - August 8, 2025 5:20 am

The end of cosmopolitan Europe: Review of ‘The Last Days of Budapest’ by Adam LeBor

Will Collins - August 8, 2025 5:18 am

The vacation binary

Rob Long - August 8, 2025 5:13 am

Can superhero films have weight without going grimdark?: Review of ‘Superman’ and ‘Fantastic Four: First Steps’

Derek Robertson - August 8, 2025 5:12 am

Brideshead decolonized: Review of ‘Shibboleth’ by Thomas Peermohamed Lambert

Andrew Bernard - August 8, 2025 5:07 am

Our must-y media

David Polansky - August 8, 2025 4:40 am

Thomas Chatterton Williams’s 2020 hindsight

Ross Anderson - August 8, 2025 12:05 am

The surprisingly triumphant return of ‘The Naked Gun’

Peter Tonguette - August 7, 2025 11:10 pm

Can pop music survive the internet?

Armin Rosen - July 25, 2025 4:45 am

Flattening Virgil Abloh

Ross Anderson - July 25, 2025 12:27 am

The God that Failed Up: Review of ‘The Last Supper’ by Paul Elie

Art Tavana - July 25, 2025 12:25 am

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