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Magazine - Life & Arts

Mike Vrabel’s non-confession confession

W. James Antle III - April 24, 2026 6:03 am

Elle Fanning is sharp and affectionate in ‘Margo’s Got Money Troubles’

Steven Soderbergh’s ‘The Christophers’ proves why people fall sleep watching Bob Ross reruns

The sincerity of substance in Netflix’s ‘Love on the Spectrum’

Mark Prell’s ‘What are the Odds?’ illustrates the pitfalls of assuming certainty

1999: The year the line between high and low culture collapsed

Ross Benes - March 27, 2025 11:09 pm

Ezra Klein and Derek Thompson say the Left should rediscover growth

James B. Meigs - March 21, 2025 5:50 am

Formula One roars into what could be its finest season yet

Jack Baruth - March 21, 2025 5:40 am

Alec Baldwin’s brooding era

Peter Tonguette - March 21, 2025 4:50 am

Philippe Sands and the transnational legal class wrestle with the question of human rights

Will Collins - March 21, 2025 12:10 am

The life and death of a great secretarial school

Charlotte Allen - March 21, 2025 12:05 am

Robot dud: Review of The Electric State on Netflix

Graham Hillard - March 20, 2025 11:45 pm

The turkey wrap secret to show business success

Rob Long - March 20, 2025 11:35 pm

Michael Lewis shows off government

Ross Anderson - March 20, 2025 11:05 pm

White Lotus in the jungle

Joe Joyce - March 14, 2025 4:20 am

The dangerous world of the Wagner Group

Sean Durns - March 14, 2025 12:35 am

Caspar David Friedrich in America

Daniel Ross Goodman - March 14, 2025 12:15 am

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