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Magazine - Life & Arts

Mike Vrabel’s non-confession confession

W. James Antle III - April 24, 2026 6:03 am

Elle Fanning is sharp and affectionate in ‘Margo’s Got Money Troubles’

Steven Soderbergh’s ‘The Christophers’ proves why people fall sleep watching Bob Ross reruns

The sincerity of substance in Netflix’s ‘Love on the Spectrum’

Mark Prell’s ‘What are the Odds?’ illustrates the pitfalls of assuming certainty

Why Canada won

John Jamesen Gould - March 6, 2025 11:20 pm

The new progressive case for building (a permission structure): Review of ‘Why Nothing Works’ by Marc. J. Dunkelman

Derek Robertson - February 28, 2025 5:53 am

Netflix’s ‘Apple Cider Vinegar’ is the thoughtful antidote to fake cancer cures

Alan Levinovitz - February 28, 2025 5:22 am

A second look at Huey Long

Michael Taube - February 28, 2025 5:12 am

The Gorge is empty

Graham Hillard - February 28, 2025 4:33 am

Don’t kill PBS

Jesse Adams - February 28, 2025 3:50 am

Who’s in charge?: Rereading Elizabeth Anderson’s ‘Private Government’

Carl Paulus - February 28, 2025 12:30 am

Retiring from self-improvement

Rob Long - February 27, 2025 11:50 pm

For love of country

Trent Reedy - February 27, 2025 11:10 pm

New theism: Review of ‘Believe: Why Everyone Should Be Religious’ by Ross Douthat

Derek Robertson - February 21, 2025 12:50 am

The horde vs. the hoard

Rob Long - February 21, 2025 12:30 am

The part of motherhood Hollywood usually ignores

Madeline Fry Schultz - February 21, 2025 12:10 am

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