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Magazine - Life & Arts

Mike Vrabel’s non-confession confession

W. James Antle III - April 24, 2026 6:03 am

Elle Fanning is sharp and affectionate in ‘Margo’s Got Money Troubles’

Steven Soderbergh’s ‘The Christophers’ proves why people fall sleep watching Bob Ross reruns

The sincerity of substance in Netflix’s ‘Love on the Spectrum’

Mark Prell’s ‘What are the Odds?’ illustrates the pitfalls of assuming certainty

How academia broke its implicit social bargain with the public

Brandon C. Zicha - January 23, 2025 11:40 pm

Contraband bestsellers

Rob Long - January 23, 2025 11:30 pm

Paul Newman at 100

Peter Tonguette - January 23, 2025 11:15 pm

Toasting a new commander in chief

Trent Conaway - January 23, 2025 11:05 pm

The tentacles of Squid Game’s success

J. Oliver Conroy - January 23, 2025 11:00 pm

Hollywood should remember what villains really look like

Tevi Troy - January 17, 2025 5:30 am

Edna Ferber’s frontier life

Diane Scharper - January 17, 2025 5:23 am

The future of golf is fun

Oliver Bateman - January 17, 2025 5:19 am

Nosferatu faces the darkness

Graham Hillard - January 17, 2025 5:15 am

The wordless brilliance of Wallace & Gromit

Peter Tonguette - January 17, 2025 5:14 am

This is what democracy looks like: Review of ‘The Reactionary Spirit’ by Zack Beauchamp

Oliver Traldi - January 17, 2025 5:11 am

Ilya Shapiro diagnoses legal education

Jesse Adams - January 17, 2025 5:09 am

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