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Magazine - Life & Arts

Mike Vrabel’s non-confession confession

W. James Antle III - April 24, 2026 6:03 am

Elle Fanning is sharp and affectionate in ‘Margo’s Got Money Troubles’

Steven Soderbergh’s ‘The Christophers’ proves why people fall sleep watching Bob Ross reruns

The sincerity of substance in Netflix’s ‘Love on the Spectrum’

Mark Prell’s ‘What are the Odds?’ illustrates the pitfalls of assuming certainty

Prime-al fear

Graham Hillard - February 21, 2025 12:05 am

The origins of Bill Gates: Review of ‘Source Code: My Beginnings’ by Bill Gates

Ross Anderson - February 20, 2025 11:47 pm

It’s time to bring back Formula One’s grid girls

Jack Baruth - February 20, 2025 11:35 pm

Separating the Art from the Poet: Review of ‘Love and Need: The Life of Robert Frost’s Poetry’ by Adam Plunkett

Micah Mattix - February 20, 2025 11:13 pm

PG Wodehouse’s American dream

Alexander Larman - February 20, 2025 11:11 pm

Dwelling with Patrick Modiano

John Wilson - February 7, 2025 4:25 am

Too ecumenical?

Rob Long - February 7, 2025 1:35 am

A miracle drink

Trent Reedy - February 7, 2025 1:10 am

The ambitious and doomed The Brutalist

Anthony Paletta - February 7, 2025 12:35 am

The law of rule

Michael M. Rosen - February 7, 2025 12:30 am

Britain’s conservative second world war

Yuan Yi Zhu - February 7, 2025 12:20 am

Get thee from a nunnery: Review of ‘Stone Yard Devotional’ by Charlotte Wood

Malcolm Forbes - February 7, 2025 12:10 am

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