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Magazine - Life & Arts

Abandon all hope, Ye who enter here

Derek Robertson - October 10, 2025 4:35 am

Review of ‘Storyteller: The Life of Robert Louis Stevenson’ by Leo Damrosch

Cartel man

Taylor Swift’s frozen pedestal

How to right-size your life

The vacation binary

Rob Long - August 8, 2025 5:13 am

Can superhero films have weight without going grimdark?: Review of ‘Superman’ and ‘Fantastic Four: First Steps’

Derek Robertson - August 8, 2025 5:12 am

Brideshead decolonized: Review of ‘Shibboleth’ by Thomas Peermohamed Lambert

Andrew Bernard - August 8, 2025 5:07 am

Our must-y media

David Polansky - August 8, 2025 4:40 am

Thomas Chatterton Williams’s 2020 hindsight

Ross Anderson - August 8, 2025 12:05 am

The surprisingly triumphant return of ‘The Naked Gun’

Peter Tonguette - August 7, 2025 11:10 pm

Can pop music survive the internet?

Armin Rosen - July 25, 2025 4:45 am

Flattening Virgil Abloh

Ross Anderson - July 25, 2025 12:27 am

The God that Failed Up: Review of ‘The Last Supper’ by Paul Elie

Art Tavana - July 25, 2025 12:25 am

Judges with whistles

Graham Hillard - July 25, 2025 12:20 am

Lena Dunham’s ‘Girls’ follow-up ‘Too Much’ and the middle-aged millennial

Derek Robertson - July 25, 2025 12:17 am

Life imitates art in ‘Tehran’

Michael M. Rosen - July 25, 2025 12:07 am

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