In Scoop, Evelyn Waugh’s great satire of journalism in general and foreign correspondents in particular, newspaper magnate Lord Copper sends a reporter to the African Republic of Ishmaelia to cover the crisis unfolding there. “We think it a very promising little war,” he declares. “A microcosm, as you might say, of world drama.” Phoebe Greenwood’s debut, Vulture, sets its satirical sights on the same topics. However, its protagonist is not dispatched to report on a “very promising little war” but rather the latest flare-up of hostilities in a grindingly long and seemingly unending conflict.